Argentinian tango
Brother and sister Sergio and Karin were raised in a real pianist family, tells Karin. “Our grandparents played as a piano duo and our mother was a piano teacher. It was her idea that we could play as a piano duo. Ever since the first moment we played together, this has felt very natural for us.”
Nowadays, the Argentinian tango plays an important role in the repertoire of Lechner and Tiempo. “When we started playing tangos, we had mixed feelings about it. As Argentinians, we felt a natural attraction towards the genre, but at the same time we felt some distance. We were raised among a lot of musical genres and tango was one of them, but it was not our ‘mother tongue’ of the musical genres. At home we mainly heard classical music”, says Sergio.
Karin continues: “That was the main reason for us to study with Pablo Ziegler in Buenos Aires, the pianist of Ástor Piazolla. That was very insightful; his ideas about the tango rhythm and the overall tango feeling have changed our view and way of playing a lot.”
“Initially, for us tango was unthinkable without a bandoneon and percussion”, says Sergio. “When we started to discover the genre, we didn’t want to set this original instrumentation apart. We just did it because we eagerly wanted to play the genre ourselves. To our surprise, it worked out very well on two pianos.”
Music as universal language
The two pianists are convinced that their Argentinian roots play an important role in their feeling towards the tango. Nevertheless, you don’t have to be Argentinian to master the genre, thinks Sergio. “In Finland, for example, there is a very rich tango culture. There are Finish musicians that can play the genre a lot better than many Argentinians. Music is a universal language that allows many accents and dialects. Eventually, human emotions are leading in music, regardless the genre. These emotions are universal. I think that’s what makes music so powerful.”
“The secret is not to be distracted by the title or background of a piece of music”, he continues. “Music is abstract, it contains images and moods that gives the audience the opportunity to create its own reality. Our personal story is probably also intertwined with our music: it’s the story of our rehearsals, our conversations and the fun we have together. During a performance, all these emotions come together in the music on a subconscious level. This creates some sort of magic that is noticeable for everyone.” Karin summarizes: “We can transform all music into a fairytale”.